It's clear what the advantage of bringing 3D to the film audience. But what about the filmmaker and the studio?
"When it comes to 3D, all the people still in the stage of the study," Dr. Sandrew stated. "Some directors who understand the media helped by stereographers really have knowledge at each stage of their production, and then there's another Director, who also have a sensitivity to 3D that prefer to use only in the mode of production stereographer posts. In each film visual effects, heavy control of the Director and cinematographer/stereographer was key to the creation of visually good or exceptional, and this reliance on technical expertise and creative are no different in 3D. 3D maker offers unprecedented ability to affect memory, emotion and instinct of survival even primitive from the audience in a way that it is not possible in 2D. When working properly and strategically, and when utilizing appropriate knowledge base, 3D can be very powerful media to Creative Director. "
Dr. Sandrew went on to make an interesting point about how the physical experience of viewing 3D films speak literally to artistic advantage it supplies for filmmakers.
"From a visual point of view, when watching a movie typical 2D, the audience has learned to read, flat shots of on screen, in some respects the same as if the images are presented in a book," he said. "This means that instead of limiting the size of the image page, the image is limited to the size of the display or exhibit the frame, and the brain to do relative to his own physical consciousness in interpreting images and actions on the 2D screen. Retinal eye image that hit any 2D film when watching do not change to the visual cortex where the fusion of their images in the brain is the one to one proper overlap in any way. There is no difference between a good image. "